SHE IS CONANN continues its North American theatrical rollout from Altered Innocence this week with holdover screenings in New York and openings in new cities. A VOD and physical medial release will follow in the spring.
Mandico’s third feature following THE WILD BOYS, which topped Cahiers du Cinéma’s 2018 list of Top 10 Films, and the multi-award-winning AFTER BLUE (DIRTY PARADISE) —both of which were released by Altered Innocence in North America— SHE IS CONANN is a barbaric fantasy sci-fi trip — his most ambitious work yet. The film blurs realities and flips genders, loosely using the American cult classic Conan the Barbarian as groundwork for this intoxicatingly lush 35mm-shot epic. Starring Claire Duburcq (1917, AFTER BLUE), Christa Théret (RENOIR), Sandra Parfait (Netflix’s Lupin), Agata Buzek (AFTER BLUE, HIGH LIFE), Nathalie Richard (AFTER LOVE, IRMA VEP), and Françoise Brion (L’IMMORTELLE) as the many faces of Conann —from young woman to warrior queen, each overcoming the last— in addition to Julia Riedler (LUZ) and Mandico-constant Elina Löwensohn (AMATEUR, NADJA), who has appeared in every one of his feature films, in the role of Rainer, the Cerberus guardian of the underworld.
In a barbaric fantasy sci-fi trip through time, sword-and-sorcery mythology is bent, fractured, and gender-swapped by master visionary Bertrand Mandico in his third feature epic. Six lives, six eras, and six deaths mark Conann’s poetic journey through different incarnations and lesbian loves. Guiding Conann through her many epic lives is Elina Löwensohn (Amateur, Let the Corpses Tan) as Rainer, a Cerberus of many otherworldly dimensions whose paparazzi camera sees all. The perversity of The Wild Boys and the hero’s journey of After Blue (Dirty Paradise) come together in this even greater handmade homage as Mandico ropes in influences as lush as Fellini Satyricon, The Night Porter, The Hunger, and Fassbinder’s entire oeuvre to craft a moving portrait of a warrior trying to find her place while outside of space, time, and meaning. This official selection of Cannes Directors’ Fortnight, Fantastic Fest, and Sitges “thrives on its own bizarre extravagance as it pushes the limits of substance and style” (Collider).
A visceral and impulsive queer artist with a prolific body of work in singular and form challenging cinema, Mandico is a co-founder and follower of the 12-rule Incoherence Manifesto, which includes the prompts ‘filming must be done on expired film stock,’ ‘special effects must be made in-camera,’ and ‘the film must be in an uncertain geography, timeless, ban any realistic effect’.
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Brett Summers
Brett founded CultFaction.com in 2014 a website and podcast that deals with cult film and tv. He also has a strong interest in grappling martial arts both as a practitioner and as a historian.
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