An adaptation from Bafta award-winning writer Amanda Coe of Rumer Godden’s iconic tale of sexual repression and forbidden love for BBC One and FX Productions. From Bafta award-winning writer Amanda Coe (The Trial Of Christine Keeler, Apple Tree Yard), DNA TV and director Charlotte Bruus Christensen comes a new three-part adaptation of the 1939 classic literary novel Black Narcissus, Rumer Godden’s iconic tale of sexual repression and forbidden love.
Gemma Arterton (The King’s Man, The Escape) leads the all-star cast in the role of Sister Clodagh. Joining Arterton is Alessandro Nivola (American Hustle, Chimerica) as Mr Dean, Aisling Franciosi (The Nightingale, I Know This Much Is True) as Sister Ruth, Diana Rigg (Game Of Thrones, Victoria) as Mother Dorothea, Jim Broadbent (Paddington, Paddington 2, The Iron Lady) as Father Roberts, Gina McKee (Catherine The Great, Bodyguard) as Sister Adela, Rosie Cavaliero (Prey, Unforgotten) as Sister Briony, Patsy Ferran (Tom And Jerry, Jamestown) as Sister Blanche, Karen Bryson (MotherFatherSon, Safe) as Sister Philippa and Dipika Kunwar as Kanchi who makes her television debut.
Charlotte Bruus Christensen makes her directorial debut having previously been Director of Photography on hit films such as Girl On A Train, A Quiet Place, Fences as well as DNA and BBC Films’ Far From The Madding Crowd.
Returning this haunting love story to its original setting in the 1930s, Black Narcissus follows Sister Clodagh (Arterton) and the nuns of St Faiths, who travel to Nepal to set up a branch of their order in the remote palace of Mopu. In the unfettered sensuality of the so-called House of Women, Sister Clodagh finds herself increasingly attracted to the handsome and damaged land agent, Mr Dean (Nivola). But as the repressed memories of Clodagh’s past become entangled with the tragic history of Princess Srimati, history seems doomed to repeat itself.
Are there really ghosts here in the Himalayas, or are the nuns just succumbing to long-repressed primal desires? And which of them is prepared to die – or kill – for love?