For all your cult film, tv, cartoon, comic and video game needs

The Ferryman (2017)

Mournfully atmospheric, The Ferryman draws you instantly into the plight of the lonely Mara (played by Nicola Holt) and her prosaic daily routine. Hints are given of a life that was, but make no mistake about it, the Mara we meet is in a disturbing struggle with her own existence that includes an attempted suicide. This suicide attempt reunites her with her long-lost father (Garth Maunders) which open up Mara to feelings she has long since locked away.

In the meantime time Mara is hearing things. Can anyone else hearing them? Is she being stalked by a malevolent entity? What is happening to those she cares about? Is it Mara’s fault?

Holt plays Mara with a vicious fragility that leaves you worried about her and fearful of her at the same time as she walks a haunted balance of alienation, mental illness, loneliness and fear. Horror film has often depended on female actors to carry a movie but what Holt does is here is use her role to build a world around her. A world we are not sure if we want to exist in! This leaves an uneasy audience questioning Mara’s plight as execrable events unfold around her.

What sets The Ferryman  apart for me is its use of silence. This taciturnity builds up anticipation in the audience whilst emphasising the increased disconnect Mara feels with the world around here. The impact sound has when introduced is paralysing both to Mara and those watching her plight. For this kind of atmosphere to be built successfully a lot depends on the vision of the director (Elliot Maguire) and the interpretation of the actor (Holt) and both deliver big time throughout the movie.

Verdict: 7/10. The Ferryman is a film that tries very hard to punch above its weight and I’m glad to say it succeeds on the majority of its occasions. I think where it could have picked up more points with me is to explore metaphors and symbolism in more depth. This could have then helped build up the mystique of what was happening to Mara. That being said, this is a fine addition to the independent film market that demonstrates just what can be accomplished in today’s multimedia world.

Related Posts
The Ferryman is coming!

After a failed suicide attempt, troubled and lonely teen MARA(Nicola Holt) finds herself stalked by a malevolent entity. “The Ferryman” Read more

Review: Vivarium (2020)

Vivarium comes from the minds of director Lorcan Finnegan and writer Garret Shanley. It has been developed from their previous Read more

Review: Trolls World Tour (2020)

Before we go any further let us just remember that this is a children's movie aimed at children for children, Read more

Review: Triggered (2020)

With some films, no matter how obvious it is, those involved will go to great pains to disavow any influences. Read more

Review: The Room (2020)

The Room is a psychological thriller by Director Christian Volckman. It follows couple Kate and Matt, who after moving into Read more

Review: The Platform (2019)

If you ever needed a satirical metaphor about the world and how we all treat each other then look no Read more

Review: The Owners (2020)

The opening of Julius Berg's The Owners shows us the stark contrast of the lush, peaceful, countryside and the polluted, Read more

Review: The Lurker (2019)

The Lurker is a slasher thriller film starring scream queen Scout Taylor Compton as high school senior Taylor, who seems Read more

Review: The Boys (Season 1)

The Boys is Amazon Prime’s newest addition to the seemingly endless slew of cape fuelled media flooding our media feeds. Read more

Review: Stargirl Ep. 1: Pilot

DC's latest show Stargirl opens immediately with some impressive scope and big stakes. The Justice Society of America are under Read more

Founded Cult Faction in 2014; previously crawled out of the Black Lodge in 1976, only to find himself in the Village.

Leave a Reply

%d bloggers like this: